December 4, 2009

Me My Head

On Thursday 3rd December an intimate and excitable rabble of Me My Head fanatics descended upon the Relentless Garage to celebrate the release of debut album Survival In No Man’s Land on MBM Records. As an expectant crowd enjoyed and endured respectively sets from energetic Italian four piece To Be Rhudes! and London based The Bridport Dagger, the electricity in the air was palpable and it was more than just the December chill sending shivers down the spine. This release has been long and eagerly anticipated by the band’s avid fans and the London boys lapped up the atmosphere and fed off the crowds’ energy.

Opening track Night Is On Fire was a raucus, thumpin’ New Wave masterpiece, delivered with pounding kick-driven drum patterns, rock-steady basslines, delay-doused pop hook guitar licks, synth riffs reminiscent of an 80’s Atari console, and spit-flecked vigour from frontman Charlie Moss whose well-deserved vocal pomposity and indie-swagger will draw comparisons to the likes of Harry McVeigh and Tom Smith. Further crowd pleasers Say It All and the epic White Lights displayed anthemic Pop choruses, infectious synth lines, and in particular with the latter, a guitar riff that will plant itself in your brain on constant ostinato loop – listen with caution. In short, these songs would be welcome echoing around the walls of far larger venues than the Garage.

A well-constructed and perfectly mixed medley of What Is Love? by early 90’s Dance act Haddaway and Poker Face by everyone’s favourite Pop diva Lady Gaga delighted the crowd, with Moss‘s cracked and vulnerable vocals haunting and hanging ethereal in the air of the small venue. In a jocular and welcoming environment it would be easy for the lads to use a  cover as comic relief, so it was all the more enjoyable to witness this take on two tracks from almost 20 years apart taken seriously. Who doesn’t love a cover done well eh?

Me My Head owned the small stage for the duration of the seamless set, which was interspersed with bouts of well-constructed yet genuine banter. A professional performance then from a fantastic act, characterised by rolling thunderclap floor-tom massiveness, chugging bass drive, pop-hook Edge-esque guitar licks, delicate New Wave synth lines and anthemic vocal melodies. Like White Lies without all the death.. or a poppier Editors with more electronics, either way, check out the MySpace and buy the album. You wont regret it.


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